Programme
Method
We would like to arrive to the final result as the sum of different
works but at the same time parallels.We think that it is possibile to
know before looking for, helping intuition and imagination.We want to
promote production on thought.We want to have space coming from a diagram
of initial conditions.
Clarifications
On
the first day the workshop students will receive a text notebook, (in
spanish or in the original language), the work schedule and the modalities
of the final work.We will work in the classrooms of the ETSAM University
of Madrid. The revisions of the workshop will be held at the same time
of the revisions of the works by the students of the Design courses
of the ETSAM University of Madrid.
Works
1. An abstract diagram will be
given and it will have to be interpreted for some domestic spaces.
2. Two quick collages representing
the corrispondent interiors will be realised.
3. A model of the diagram will
be built and will be interpreted as a model of a real architectonic
object..
4. A text with the experience
results will be composed.
5. Another diagram of the final
space will be realised.
Moreover the texts, images, and documents produced during the workshop
will be collected.
The
final result will be the compilation and composition of the whole material,
being elaborated or not, in a notebook in the DIN A-5 format of at least
40 pages. It will be binded with a metal spirale. The cover will be
the same for the whole group.
General
calendar
april 29 afternoon: The theoretical
documentation, texts, work programme and initial diagram.Partecipation
to the work group at the ETSAM University of Madrid.
april 30 morning: individual work.
The drawing given will be interpretated and modified with the conditions
decided by the student.
april 30 afternoon: collective
revisions with the students of the ETSAM course.
may 1-2: individual elaboration
of collages and of the model.
may 3-4:free days, visits of Madrid.
may 5 afternoon: revision and
talks on the works of the precedent days.
may 6 morning: rielaboration of
the materials. Elaboration of the text. Construction of the final diagram.
may 6 afternoon: revision and
talks on the final works.
may 7 morning: Construction of
the final notebook.
Federico
Soriano
Research
LIVING,
ADAPTING, THINKING.
We are not interested in the origins, but in where the evolution of
the word arrives. We forget the roots of the word living. We forget
what it means. We forget in order to start to understand. Man lives
in all the world's places because he doesn't have a specific own habitat.
The reason is not even the fact of having to build it, of being an artificial
habitat. We fall into the temptation of thinking that the towns are
our artificial and personal world. All species, in a more or less important
degree, modifies naturality for their convenience. Man's living is not
construction but adaptation. Instead of building, arranging. Instead
of doing, rehabilitating. Space doesn't set up our actions but supports
them.
THE HOUSE OF OUR TIME
We
don't find. They don't change. They don't invent themselves. And without
doubt we feel this desire. We are living with flexibility factors, ambiguity
factors, and the house doesn't get the message. Types, models, programmes
repeat themselves endlessly, tiredly. Our habits have changed quicker
and more radically than on a spatial translation. They keep on having
the night/day division of the modern house, they keep on having structures
without functions that have been conceived for the time of our grandparents,
The
house of our time will be multitude, all will be exceptions. It doesn't
come from homogeneity. Globalisation is not that everything will be
the same but that everything is accessible. The house of our time wants
to be our individuality. It will show that society is mixed because
it will allow maintaining the differences. Other people, other obsessions.
There will be specificities for each demand. For people who need to
rent a house, for people who go in for sport, for people who want to
change without moving, for isolated couples, for lofts, for a sect,
with big or small kitchens, for people renting for a month, for desperate
people, for illegal immigrants, for people with no interest, conventional,
irreverent, for people who accumulate and accumulate rubbish
The
house of our time is a landscape of events.
Research proposed
Why must a house look like a house? Why does it always have the
form of a house?We'll start from abstract diagrams on which it will
be necessary to impose a reading code whose key will be, precisely,
the reflection on the living, the residence, the house. We won't suppose
that some space is more important than another one. The same for the
programmes. We won't even suppose that the living programme is only
residential. We won't suppose that the house is permanent or to rent.
We won't suppose. We want to give an abstract starting point, without
specific uses and arriving to the result, to establish the reflection.
Federico
Soriano